Electronic Publications. Sophia's dream - for what purpose does she tell her dream? (sleep functions as an artist

Reveal functional significance Sophia's dream

Remember what are the functions of sleep in a literary work. Show that most often the dreams of the characters perform the functions of a psychological characteristic, anticipate future events, and are perceived as a metaphor for life. Dreams are connected with the movement of the plot and philosophical and aesthetic problems. Note that a dream in literature is both a subject of description, and an artistic device, and a special means of knowing the world.

improvisation, it is invented, fictional. Establish in what specific situation this improvisation is born. Remember that Famusov almost found his daughter alone with Molchalin in the early morning on the eve of Chatsky's arrival. Therefore, with her story, Sophia seeks to divert her father's attention, divert suspicions from her lover, etc. At the same time, she hints at her feelings for someone who was “born in poverty”, trying to find out Famusov’s potential attitude towards this.

Describe the main dream images of Sophia (“flowery meadow”, “heaven”, “dark room”, “some not people and not animals”

etc.) and show how they reflect inner world heroine, her dreams of happiness with a “nice person” and the awareness of the inevitable obstacles on the way to their implementation.

Think about whether Sophia's dream can be called "prophetic." Explain why literary scholars call it a “reverse” dream.

Summing up your thoughts, draw a conclusion about the high semantic and aesthetic significance of Sophia's dream.

Glossary:

  • sophia's dream in grief from the mind
  • sophia's dream in grief from mind analysis
  • functional significance of Sophia's sleep

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The dream that Sophia tells about in a monologue plays an important role in revealing the heroine's mental anguish. She is in love with Molchalin, her father's secretary, but Famusov wants to marry her off to another rich Skalozub, and even says: "He who is poor is not a match for you." Sophia's torment is based on this. The author shows how strong the main character's feelings for Molchalin are through a dream, in the description of which he uses such figurative and expressive means as epithets: “flowery meadow”, “dark room”, comparison: “pale as death, and hair on end”, rhetorical exclamations: “and a hair on end!”, “He screams after him!”. Thus, sleep plays an important role in revealing the state of mind and experiences of the main character.

C2- In what works of Russian literature do the heroes have dreams and how can they be correlated with Sophia's dream?

In order to reveal the inner world of characters, some Russian writers used the dreams of heroes. Just as in A.S. Griboedov’s comedy “Woe from Wit”, A.S. Pushkin and M. Bulgakov turned to dreams in their works. Tatyana's dream in the novel "Eugene Onegin" (A.S. Pushkin) is a symbolic episode. It helps to understand the depth of the heroine's experiences, her emotions and fears ("And Tanya woke up in horror"). The dream of Pontius Pilate in the novel "The Master and Margarita" (M. Bulgakov) also plays a key role in revealing the spiritual qualities of the procurator. He sees Yeshua and walks next to him and the dog Banga along the moonlit road, in a dream main character repents of the execution of Ha-Notsri ("He will do anything to save a decidedly innocent crazy dreamer from execution"). The dreams of Pontius Pilate and Tatyana can be correlated with the dream of Sophia - they reveal the characters from the other side (the inner world), they help to understand the emotions and experiences of the characters.

C5- Why did Sophia prefer the inconspicuous Molchalin to the brilliant Chatsky?

The comedy in verse "Woe from Wit" by A.S. Griboyedov, which combines the traditions of classicism and romanticism in it, is one of the most striking works in the author's work. The play is based on a love conflict connected with the Sofya-Molchalin-Chatsky storyline. Chatsky returns to his beloved Sophia, whom he has not seen for 3 years. However, during his absence, the girl has changed. She is offended by Chatsky because he left her, left and “did not write three words”, and is in love with Father Molchalin's secretary.

So why did Sophia prefer the inconspicuous Molchalin to the brilliant Chatsky? There are a number of objective and subjective reasons for this. The first include the long absence of Chatsky, at a time when Molchalin was constantly nearby. In one of the remarks, the heroine expressed her opinion on this matter: “He thought about himself highly ... The desire to wander attacked him, ah! If someone loves whom, why travel so far? Likewise, to objective reasons refers to the fact that in such a society it was easier to love Molchalin than Chatsky. Compliance, modesty, silence, the ability to serve could help to survive in such an environment. And the mind, freethinking, any word spoken against the foundations, doomed Chatsky to failure in the Famus society. As the hero said: "Silents rule the world."

One of the brightest subjective reasons is Sophia's passion for novels. “She has no sleep from French books” (Famusov). The lover-servant is a "perfect romance", as if from French books. Chatsky humiliates the chosen one of the heroine, thereby causing her displeasure, and after that she starts a rumor about his madness.

Showing a love conflict, the author reveals the characters (Sofya, Chatsky, Molchalin). The finale of the play is dramatic - having learned the truth, the characters realize their mistakes, but it is already too late. Although Sophia preferred the inconspicuous Molchalin to the brilliant Chatsky, she was disappointed in this choice due to the fact that her lover turned out to be a scoundrel.


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Reveal the functional significance of Sophia's sleep.

Remember what are the functions of sleep in a literary work. Show that most often the dreams of the characters perform the functions of a psychological characteristic, anticipate future events, and are perceived as a metaphor for life. Dreams are connected with the movement of the plot and philosophical and aesthetic problems. Note that a dream in literature is both a subject of description, and an artistic device, and a special means of knowing the world.

Next, identify the functional significance of Sophia's sleep. Make sure that the heroine's dream is an improvisation, it is invented, fictional. Establish in what specific situation this improvisation is born. Remember that Famusov almost found his daughter alone with Molchalin in the early morning on the eve of Chatsky's arrival. Therefore, with her story, Sophia seeks to divert her father's attention, divert suspicions from her lover, etc. At the same time, she hints at her feelings for someone who is "born in poverty", trying to find out Famusov's potential attitude towards this.

Describe the main dream images of Sophia (“flowery meadow”, “heaven”, “dark room”, “some not people and not animals”, etc.) and show how they reflect the inner world of the heroine, her dreams of happiness with "nice person" and awareness of the inevitable obstacles to their implementation.

Think about whether Sophia's dream can be called "prophetic." Explain why literary critics call it a dream "in reverse."

Summing up your thoughts, draw a conclusion about the high semantic and aesthetic significance of Sophia's dream.

Searched here:

  • sophia's dream in grief from the mind
  • replicas of grief from the mind the meaning of Sophia's dream

Does she really have no idea about the motives behind Famus’s indignation (“I won’t explain your anger in any way” - 1, 19) or realized that he wants to hide something wrong, but she finds a good move in her defense:

And I rushed here with all my legs (1, 19).

And thus leads Famusov to final confusion. And then it is not difficult, knowing the habits of the father, to intrigue him with an unusual dream. It remains only to come up with this dream ...

“The whole effect of this story,” notes B. V. Tomashevsky, “is that the plot of the dream is invented as the story progresses. Hence the uncertain discontinuity of the first verse" ( Tomashevsky B. V. Poem "Woe from Wit". S. 221). The word “grass”, highlighted in a separate line, is obviously the semantic key to this monologue. Analyzing the metric of the beginning of the monologue, E. A. Maimin writes: “In the third verse - one foot; “Missing” feet, according to the law of rhythmic inertia, must somehow, at least to some extent, be compensated; as a result, instead of the missing feet, a rhythmic pause naturally occurs, which precedes

the word "grass". But this pause is due to only the meter. It turns out to be very appropriate and expressive in terms of meaning. She matches internal state Sophia: after all, she invents, for this very reason she thinks and involuntarily pauses, she does not yet know what exactly she was “looking for”. But as soon as she came up with, as soon as she uttered the word “grass”, a psychological relaxation sets in, and the pace of her speech immediately accelerates. This acceleration, conditioned psychologically, is justified at the same time metrically; justified by the need to pronounce a phrasal segment equal to five feet, in a different, shorter “rhythmic impulse” ”(Creation, pp. 82–83).

In turn, the rhythmic and psychological motivation of this line is subordinated to the meaning of the story. Sophia does not just come up with a certain plot: she puts it together from separate “episodes” drawn from the dream book.

Let us turn to the book, probably well-known to both Sofya and Famusov: “A new, complete and detailed dream book, meaning a lengthy interpretation and explanation of each dream, and what other dream book, has not happened in the Russian language so far; with the initiation of old women of amusing philosophy, selected from the works of many foreign and smart men in science, Varlaam and John Koenigsberg, arranged in alphabetical order ”(St. Petersburg, 1818). Let's find the word "grass" in this book. It turns out that not everything is simple with her - it is important what she is:

“To see green grass in a dream is a sign of health.

Seeing wilted grass in a dream means illness.

Grass cut, but not yet collected, to see in a dream, according to some, is a dream foreshadowing death to the one who sees him, for it grows only from the earth, and not from living bodies.

That is, having finally found a plot after the first confused lines, Sophia finds herself at a crossroads: which of the turns (joyful, sad or tragic) of this plot to choose. First, she tries the first of them, especially since, as the Dream Interpretation says, “meadows seen in a dream are a good sign that promises all prosperity.”

“To see darkness in a dream is a sign portending a complaint.

A prison seen in a dream threatens with deceit, an obstacle, or illness.

Our ancestors, father, grandfather, great-grandfather, who dreamed of us in a dream, mean care and sadness about old and past deeds. If they appear to us in a dream cheerful and friendly, it means that these things will get the end we want. But if they are gloomy and angry, then we must beware of the contrary.

To see monsters in a dream, such as are not in nature, means a vain and empty hope.

To fight with ferocious beasts is a happy and prosperous dream for the poor, it promises them wealth and the dependence of many people on them. The rich are foreshadowed through this dream dishonor and shame from people of low rank. Often this dream means illness, because as we get wounds, ulcers and scars from wild animals, so diseases torment us ... "

However, there was also a literary example of the story told by Sophia. The motif of sleep in Russian literature was varied in different ways by Zhukovsky's poetry.

Therefore, Griboedov leaves Famusov, who listened to his daughter’s improvisation, to repeat the slightly paraphrased lines from Zhukovsky’s ballad “Svetlana”: “There are big miracles here, / There is very little warehouse” (Famusov, perhaps, did not read Zhukovsky, - this is G. joking, bringing together Famusov’s maxim with fashionable verses).

    Dream Interpretation "1001goroskop"

    Celebrities who worked under the influence of their dreams. in dream Dante came up with the idea for the Divine Comedy, and Goethe for the second part of Faust; the phantasmagoric works of Edgar Allan Poe were inspired by his with us; A.P. Chekhov had a dream ready-made plot of the story, later published under the title "Black Monk" Take at least Alexander Griboyedov, whose " Woe from crazy”, according to him, was born in a rather mysterious way.

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  • Dream Interpretation "schoolofcreativewriting.wordpress"

    The heroine of the comedy A.S. Griboyedov « Woe from crazy» Sofya, in order to hide her confusion in connection with the sudden appearance of her father, Famusov, justifies herself, tells her dream about love - dream possible, psychologically justified, but clearly invented: “To tell you dream: Then you'll understand...

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  • Dream Interpretation "refdb"

    Dream Griboyedov. In 1820 in distant Tivriz Griboyedov had a dream Petersburg, home of Prince A. A. Shakhovsky, friend, playwright and theatrical figure.1. V.K. Kuchelbecker recalled: “ Griboyedov wrote " Woe from crazy“In my presence, at least, every single phenomenon was read to me first immediately after it was written.” Once Griboyedov said to Wilhelm, embarrassed: - Go to the meeting early, if you want, I will read to you from my new comedy.

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  • Dream Interpretation "infourok"

    In dream Griboyedov I saw myself next to the prince, heard his voice. Shakhovsky asks if he wrote Griboyedov something new. In response to the recognition that for a long time there has been no desire to write, he begins to get annoyed, and then, as once, goes on the offensive. In 1824, he brought to St. Petersburg " Woe from crazy and read it to Shakhovsky. - Which dream had a dream Griboyedov? - During the life of the author, the play did not appear either in print or on stage. Apparently, not only the Moscow nobility was touched Griboyedov.

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  • Dream Interpretation "MySoch"

    Presumably, it was about Woe from crazy". It is also known that in the fall of the same year Griboyedov while traveling from Mozdok to Tiflis, he read excerpts to his travel companion, a young officer, Prince D. O. Bebutov. “In the course of these days,” writes Bebutov, “Alexander Sergeevich came from Grozny Griboyedov.But in dream dream, do not forget"…

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  • Dream Interpretation "litra"

    A play by A.S. GriboyedovWoe from crazy” marks a victory in the work of the writer of realism, more precisely, critical realism. Dream dream dream dreaming in fact, and Sophia dream composes. But she composes it in such a way that both her character and her “secret” intentions are very clearly visible in it.

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  • Dream Interpretation "nsportal"

    "AND dreaming marvelous Dream Tatyana…” Dream Tatiana is Pushkin’s heroine’s awareness of her helplessness in the face of circumstances, an intuitive understanding of the perniciousness of her feelings for Onegin, “a terrible dream”, an anticipation of salvation, getting rid of the influence of dark forces for a pure and immaculate soul. Onegin ", A.S. mushroom eaters « grief from crazy") Meaning sleep Tatyana in the novel by A.S. Pushkin "Eugene Onegin" Tatyana believed the legends of the common people's antiquity, And dreams, and card divination, And predictions of the moon.

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  • Dream Interpretation "studbirga"

    But in dream values ​​are distorted, and all this dream, do not forget. Here you pestered me for a long time with questions, did I write anything for you? At the beginning of 1823 Griboyedov gets a long vacation and comes to Moscow. S. N. Begichev spoke about his first impression of the comedy in his memoirs: “From his comedy” Woe from crazy Only two actions were written.

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  • Dream Interpretation "MySoch"

    The idea " grief from crazy' appears to have originated in Griboyedov in 1816, Begichev points out that “the plan for this comedy was made by him back in St. Petersburg in 1816, and several scenes were even written; but I don't know, in Persia or in Georgia, Griboyedov changed him in many ways and destroyed some of the characters, and by the way, Famusov's wife, a sentimental fashionista and a Moscow aristocrat ... and together. But in dream values ​​are distorted, and all this dream, do not forget"…

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  • Dream Interpretation "sonnik.jofo"

    (131 comments) had a dream death, see in dream Death dream book. prophetic dreams, when they dreaming and whether they should be believed. Alexander's comedy Woe « Griboyedov from crazy is rightfully considered a classic of Russian literature. The author's wit, emotionality and liveliness make speeches forget that the presentation is carried out in quantity, and the verses of quotes and aphorisms taken from the comedy speak for themselves.

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  • Dream Interpretation "referat.niv"

    Character dreams in the play by A. N. Ostrovsky "Thunderstorm", A. S. Griboyedov « Woe from crazy"And A. S. Pushkin" Eugene Onegin ". This dreams revealing the inner world of the heroine. They are vague, vague, exciting. Such dreams really can dream. “And what dreams to me dreamed, Varenka, what dreams! Or golden temples, or some extraordinary gardens, and invisible voices all sing, and the smell of cypress, and the mountains and the trees seem to be not the same as usual, but as they are written on the images.

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  • Dream Interpretation "MySoch"

    Dream Sophia is so important for comprehending her character, how important dream Tatyana Larina to comprehend the character of Pushkin's heroine, although Tatyana dream dreaming in fact, and Sophia dream composes. Wonderful comedy “ Woe from crazy” was written at the beginning of the 19th century by the great Russian writer - Griboyedov. In this work Griboyedov touches on the most important problems of our time: political, social and domestic.

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  • Dream Interpretation "MySoch"

    saw dream- and wrote the most brilliant Russian drama. Having no predecessors, he had no followers equal to himself. In the comedy A.S. Griboyedov « Woe from crazy"We met many heroes, one of whom was Alexander Andreevich Chatsky. Alexander Andreevich Chatsky good man, in my opinion. He was well brought up.

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  • Dream Interpretation "infourok"

    In one of the letters Griboyedov writes as if the idea, the generalized image itself and its rhythm were seen by him in dream. Griboyedov, having finished the comedy in 1824, he made a lot of efforts to print it, but he did not succeed. He did not get permission to stage " Woe from crazy"on stage: censorship considered a comedy Griboyedov politically dangerous and banned it.

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  • Dream Interpretation "knowledge"

    Griboyedov grief from crazy what is the meaning of imaginary sleep. yesterday.

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  • Dream Interpretation "school-city"

    The image of Sophia in the play by A.S. Griboyedov « Woe from crazy». Dream, told by Sophia, contains, as it were, the formula of her soul and a kind of program of action. Here, for the first time, Sophia herself named those features of her personality that I. A. Goncharov so highly appreciated. Dream Sophia is so important for comprehending her character, how important dream Tatyana Larina to comprehend the character of Pushkin's heroine, although Tatyana dream dreaming in fact, and Sophia dream composes.